外国文学研究 ›› 2021, Vol. 43 ›› Issue (4): 99-109.

• 文学跨学科研究 • 上一篇    下一篇

“音乐之网”:论哈代小说对瓦格纳交响配乐的模仿

王希翀   

  • 发布日期:2021-08-29
  • 作者简介:王希翀,湖北大学讲师,主要从事音乐与文学跨学科研究、英美文学研究。
  • 基金资助:
    湖北省教育厅人文社科重点项目“哈代小说中的音乐元素研究”(19D004)

“The Musical Web”:The Imitation of Wagner's Symphony in Thomas Hardy's Novels

Wang Xichong   

  • Published:2021-08-29
  • About author:Wang Xichong is a lecturer at Hubei University (Wuhan 430062, China), specializing in interdisciplinary study of music and literature, and English and American literature. Email: wsz19881988@126.com
  • Supported by:
    “Research on Musical Elements in Hardy’s Novels” (19D004) sponsored by Humanities and Social Sciences of Educational Commission of Hubei Province of China

内容摘要: “音乐之网”是有关托马斯·哈代小说审美特征的评价概念。它所依赖的媒介本位是文学艺术,体现了一种运用语词模仿音乐的跨媒介的叙事技巧。“音乐之网”在肯认瓦格纳之于叔本华音乐哲学创作实践的基础之上,从形式和内容两方面实现了对瓦格纳音乐戏剧交响配乐的跨媒介叙事。从形式上“音乐之网”模仿了瓦格纳交响配乐中的序曲与主导动机;从内容上模仿了交响配乐中的音响结构“特里斯坦和弦”与“语言与音乐共生的结构”。

关键词: 托马斯·哈代, 瓦格纳, 模仿, 跨媒介叙事, 音乐戏剧

Abstract: “The musical web” is a concept of evaluation that defines the aesthetic features in Thomas Hardy's novels. The basic media it relies on is the craft of literature, which embodies a cross-media narrative technique that uses words to imitate music. While acknowledging Wagner's creative practice based on Schopenhauer's musical philosophy, the “musical web” appears to accomplish, both in form and content, a cross-media narrative reinforced by symphonic music in Wagner's music drama. In form, “the musical web” imitates the “prelude” and “leitmotif” in Wagner's symphonic music; in content, it imitates its sound structure of “Tristan chord” and “symbiotic structure of language and music.”

Key words: Thomas Hardy, Richard Wagner, imitation, cross-media narrative, music dramas

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