外国文学研究 ›› 2021, Vol. 43 ›› Issue (2): 165-171.

• 批评与批评研究 • 上一篇    下一篇

马克思主义文学批评中国形态的理论特质与话语生成——评《马克思主义文学批评中国形态的当代建构》

颜芳   

  • 出版日期:2021-04-25 发布日期:2021-04-30
  • 作者简介:颜芳,华中师范大学文学院副教授,主要研究马克思主义文论、西方文论。

The Theoretical Features and Discourse Becoming of the Chinese Form of Marxist Literary Criticism:A Review on The Contemporary Construction of the Chinese Form of Marxist Literary Criticism

Yan Fang   

  • Online:2021-04-25 Published:2021-04-30
  • About author:Yan Fang is an associate professor at the School of Chinese Language and Literature, Central China Normal University (Wuhan 430079, China). Her research is mainly focused on Marxist literary theory and Western literary theory. Email: yanfang@ccnu.edu.cn

内容摘要: 《马克思主义文学批评中国形态的当代建构》旨在创造性地探索中国形态的理论特质,对“人民”“民族”“政治”“实践”等标志性概念和文学与科技、文学与资本、文学的价值判断等亟待解决的时代课题做出了“中国形态”的阐发与新释,并通过对经典马克思主义的重返与拓展,以及和世界其他形态的马克思主义文学批评的对话,开辟了“中国形态”的主体性与生成性的话语空间。“中国形态”研究既是向世界言说自身,又成为全球文学与批评研究的独特而重要的参照。而“中国形态”研究所具有的强烈的未来指向体现出一种理论的穿透力,这种未完成性正是不断生成中的“中国形态”的魅力所在。

关键词: 《马克思主义文学批评中国形态的当代建构》, 中国形态, 理论特质, 话语生成

Abstract: The Contemporary Construction of the Chinese Form of Marxist Literary Criticism aims to creatively explore the theoretical features of the Chinese Form of Marxist literary criticism and to elaborate and re-interpret, from the standpoints of “Chinese Form,” the representative concepts of “people,” “nation,” “politics,” and “praxis,” and the urgent contemporary issues, such as the relationships between literature and technology, literature and capital, and the value judgment of literature. By returning to and expanding the classical Marxism and pursuing the dialogues with other forms of Marxist literary criticism around the world, the book opens up the subjective and generative discourse space for the “Chinese Form.” The study of the “Chinese Form” not only introduces itself to the world, but also provides a unique and significant reference for the study of literature and criticism around the globe. The strong future orientation demonstrated in the study of the “Chinese Form” embodies the penetrating power of theory, and such a state of unfinishability is exactly the charm of the “Chinese Form” which is constantly becoming.

Key words: The Contemporary Construction of the Chinese Form of Marxist Literary Criticism, Chinese Form, theoretical features, discourses becoming

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