[1] Asquith, Mark.Thomas Hardy, Metaphysics and Music. Palgrave Macmillan, 2005. [2] 本尼迪克特•安德森:《想象的共同体》.吴叡人译,上海人民出版社, 2003年. [Anderson, Benedict.Imagined Communities. Translated by Wu Ruire, Shanghai People's Publishing House, 2003.] [3] Björk, Lennart A.“Textual Introduction.” Hardy, The Literary Notebooks of Thomas Hardy, vol.1, pp. xxxi-xliv. [4] Casagrande, Peter J.“Hardy's Wordsworth: A Record and a Commentary.” English Literature in Transition, 1880-1920, vol. 20, no. 4, Jan. 1977, pp. 210-37. [5] Clough, Patricia Ticineto.Introduction. The Affective Turn: Theorizing the Social, edited by Patricia Ticineto Clough and Jean Halley, Duke UP, 2007, pp. 1-33. [6] Cohen, William A.“Faciality and Sensation in Hardy's The Return of the Native.” PMLA, vol. 121, no. 2, Mar. 2006, pp. 437-52. [7] Comte, Auguste.A General View of Positivism. Cambridge UP, 2009. [8] Ferguson, Trish.“Bonfire Night in Thomas Hardy's The Return of the Native.” Nineteenth-Century Literature, vol. 67, no. 1, June 2012, pp. 87-107. [9] 耿幼壮:《倾听:后形而上学时代的感知范式》.北京大学出版社,2013年. [Geng Youzhuang.Listening. Peking UP, 2013.] [10] Hardy, Thomas. The Literary Notebooks of Thomas Hardy. Edited by Lennart A. Björk, Macmillan, 1985. 2 vols. [11] ---. The Return of the Native: An Authoritative Text, Background and Criticism. Edited by Phillip Mallett, Norton, 2006. [12] ---. “The Science of Fiction.” Thomas Hardy's Personal Writings, edited by Harold Orel, Macmillan, 1966, pp. 134-38. [13] Massumi, Brian.Parables for the Virtual: Movement, Affect, Sensation. Duke UP, 2002. [14] Miller, J. Hillis.Communities in Fiction. Fordham UP, 2015. [15] J.希利斯•米勒:《共同体的焚毁:奥斯维辛前后的小说》.陈旭译,南京大学出版社,2019年. [---. The Conflagration of Community: Fiction before and after Auschwitz. Translated by Chen Xu, Nanjing UP, 2019.] [16] Nussbaum, Martha.“Reinventing the Civil Religion: Comte, Mill, Tagore.” Victorian Studies, vol. 54, no. 1, Autumn 2011, pp. 7-37. [17] Quincey, Thomas De.“On the Knocking at the Gate in Macbeth.” The Norton Anthology of English Literature, edited by Stephen Greenblatt et al., Norton, 2006, pp. 569-72. [18] Reid, Fred.Thomas Hardy and History. Palgrave Macmillan, 2017. [19] Seymour, Claire.“Hardy and Music: Uncanny Sounds.” A Companion to Thomas Hardy, edited by Keith Wilson, Wiley-Blackwell Pub., 2009, pp. 223-38. [20] Shakespeare, William.Four Tragedies: Hamlet, Othello, King Lear, Macbeth. Edited by David Bevington and David Scott Kastan, Bantam Dell, 2005. [21] Stumpf, Samuel Enoch,James Fieser. Socrates to Sartre and Beyond: A History of Philosophy. World Publishing Corporation, 2012. [22] 王希翀:《论<德伯家的苔丝>中歌唱文本的伦理表达》.《外国文学研究》第38卷第4期,2016年8月,第32—39页. [Wang Xichong.“Ethical Thoughts in Singing Texts in Tess of the D'Urbervilles.” Foreign Literature Studies, vol. 38, no. 4, Aug. 2016, pp. 32-39.] [23] Wright T. R.“Positivism: Comte and Mill.” Thomas Hardy in Context, edited by Phillip Mallett, Cambridge UP, 2013, pp. 296-305. [24] ---. The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain. Cambridge UP, 1986. [25] 杨慧林:《总序:当代西方思想对传统论题的重构》.耿幼壮,第1-9页. [Yang Huilin.“The Reconfiguration of the Traditional Topics in the Contemporary Western Thought.” Gen Youzhuang, pp. 1-9.] [26] 张巍卓:《“人性宗教”的起源与经过:一个塑造现代社会的过程》.《社会》第32卷第6期,2012年11月,第25—56页. [Zhang Weizhuo.“The Genesis and Course of ‘The Religion of Humanity': A Process of Molding Modern Society.” Chinese Journal of Sociology, vol. 32, no. 6, Nov. 2012, pp. 25-56.] [27] 朱玉:《作为听者的华兹华斯》.北京大学出版社,2018年. [Zhu Yu.Wordsworth as a Listener. Peking UP, 2018.] |