论《诗章》中的黑人形象隐喻与美国历史书写

外国文学研究 ›› 2019, Vol. 41 ›› Issue (3): 92-107.

论《诗章》中的黑人形象隐喻与美国历史书写

王卓

发布日期:2022-05-23
作者简介:王卓,山东师范大学外国语学院、外国文学与文化研究中心教授,主要从事现当代美国文学研究。
基金资助:
国家社科基金一般项目“意象派、客体派、黑山派诗学谱系研究”（12BWW040）; 国家留学基金项目资助（201808370057）

On the Trope of Black Images and American Historical Writing in Pound’s Cantos

Wang Zhuo

Published:2022-05-23
About author:Wang Zhuo is a professor of English and the director of Research Center for Foreign Literature and Culture at Shandong Normal University（Ji’nan 250014, China）. Her major research area is modern and contemporary American literature. Email: wangzhuo_69@sina.com
Supported by:
“A Study of Genealogy of Imagist Poetics, Objectivist Poetics and Black Mountain Poetics” (12BWW040), sponsored by National Social Science Fund of China and a scholarship from the State Scholarship Fund (201808370057)

摘要/Abstract

内容摘要： 黑人形象最早出现在《诗章》第21章,而这一章恰恰是首次引入美国历史主题的章节。庞德在这个美国历史时刻开始的部分,书写了一种颇有悲喜剧意味的“非洲性在场”。事实上,庞德不但在《诗章》中书写了黑人,而且打造了一条“黑人的后廊”,把各种黑人形象齐聚在包罗万象的《诗章》文本空间。黑人形象之所以能够走进庞德的诗歌,和庞德试图书写一部美国“秘密历史”的理想密切相关。这部“秘密历史”是个人的、边缘的、多元的。黑人形象在庞德的诗歌中是奴隶制和种族主义的提喻,是白人黑暗的自我投射,是边缘人的复杂身份的象征,也是现代人矛盾身份的隐喻。黑人作为心理、社会、政治和文学符号对庞德的现代主义叙述视野和文学成就至关重要。

关键词: 庞德, 《诗章》, 黑人形象, 隐喻, 历史书写

Abstract: Black images first appear in Cantos XXI, the very Canto in which the motif of American history is presented for the first time. In this part of The Cantos where his reference to American history surfaces, Pound delineates a tragicomic “Africanist Presence.” In fact, Pound not only wrote about blacks in The Cantos, but also created “the back corridors” for them, so that different types of blacks crowded into the vast space of this inclusive poetic text. The reason that black images could find their way into Pound’s poems has a lot to do with his ideal of writing a “secret history” of America that would be personal, marginal, and multiple. In The Cantos, black image is the synecdoche for slavery and racism, the self-reflection of the darkness of the White, the symbol of the complex identity of the marginal man, and the metaphor of modern man’s conflicting identity. Therefore, as psychological, social, political and literary signs, blacks are essential to Pound’s modernist narrative perspective and literary accomplishment.

Key words: Ezra Pound, The Cantos, black images, trope, historical writing

王卓. 论《诗章》中的黑人形象隐喻与美国历史书写[J]. 外国文学研究, 2019, 41(3): 92-107.

Wang Zhuo. On the Trope of Black Images and American Historical Writing in Pound’s Cantos[J]. Foreign Literature Studies, 2019, 41(3): 92-107.

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