外国文学研究 ›› 2019, Vol. 41 ›› Issue (2): 1-14.

• 中外学者访谈 •    下一篇

格洛托夫斯基与波兰戏剧:玛丽塔·谢福特索娃访谈录

何成洲, Maria Shevtsova   

  • 发布日期:2022-05-18
  • 作者简介:何成洲,南京大学艺术学院和外国语学院教授、长江学者、欧洲科学院外籍院士,主要从事现代戏剧、表演艺术、比较文学、批评理论研究;玛丽亚·谢福特索娃,巴黎第三大学博士,伦敦大学戏剧与剧场艺术讲座教授,戏剧社会学与表演研究系主任,《新戏剧季刊》(剑桥大学出版社)的终身主编。

Jerzy Grotowski and the Polish Theatre: An Interview with Maria Shevtsova

He Chengzhou, Maria Shevtsova   

  • Published:2022-05-18
  • About author:He Chengzhou, PhD of Oslo University, is Yangtze River Chair Professor of English and Drama, Dean of the School of Arts, Nanjing University, and Foreign Member of Academia Europaea (the Academy of Europe) (Nanjing 210093, China). His research areas include modern drama, performance studies, comparative literature, and critical theory. Email: chengzhou@nju.edu.cn;Maria Shevtsova, PhD of University of Paris III, has since 1999 been Chair Professor of Drama and Theatre Arts and Director of the Sociology of Theatre and Performance Research Group, Goldsmith, University of London. She is currently serving as the permanent editor-in-chief of the international journal, New Theatre Quarterly (Cambridge UP). Email: M.Shevtsova@gold.ac.uk

内容摘要: 耶日·格洛托夫斯基(1933-1999)是波兰戏剧导演和理论家,被公认为20世纪半后期在实验戏剧与演员训练方面最有影响的人物之一。其最虔诚的的崇拜者、支持者和追随者包括著名戏剧导演彼得·布鲁克、理查德·谢克纳和尤金·巴尔巴。玛丽塔·谢福特索娃是伦敦大学戏剧学讲座教授、格洛托夫斯基研究专家,本文是与她的学术访谈,主要讨论格洛托夫斯基研究中如下问题:其戏剧生涯的政治与历史语境、“贫困剧场”观和“艺乘”观,世界主义伦理,对于东方戏剧等世界不同戏剧和表演传统的借鉴,对于其他戏剧家、演员和导演的影响,以及对于当下戏剧的启发意义等等。

关键词: 耶日·格洛托夫斯基, 波兰戏剧, 戏剧, 表演

Abstract: Jerzy Grotowski (1933-1999), a Polish theatre director and theorist, was widely respected as one of the most influential figures of experimental theatre and actors’ training in the world in the latter half of the 20th century. Among his most enthusiastic admirers, supporters and followers are such renowned theatre directors as Peter Brook, Richard Schechner and Eugenio Barba. This interview with Maria Shevtsova, Chair Professor of Theatre Arts from University of London and a specialist on Grotowski, addresses some key issues in Grotowski studies, such as the political and historical contexts of his theatre career, his concepts of “poor theatre” and “art as vehicle,” his cosmopolitan ethics, his indebtedness to the Oriental theatre and other different theatre and performance traditions, his influence on dramatists, actors and theatre directors, and his inspiring impact upon the theatre world today.

Key words: Jerzy Grotowski, Polish Drama, theatre, performance

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