外国文学研究 ›› 2019, Vol. 41 ›› Issue (2): 15-22.

• 中外学者访谈 • 上一篇    下一篇

亚洲跨文化戏剧研究:刘思远教授访谈录

张丽芬, 刘思远   

  • 发布日期:2022-05-18
  • 作者简介:张丽芬,南京大学文学院戏剧影视学专业博士研究生,江苏理工学院人文学院副教授,主要从事中国现代戏剧、海外汉学研究;刘思远,加拿大英属哥伦比亚大学教授,美国匹兹堡大学戏剧学博士,著有《劳特利奇亚洲戏剧指南》(2016)、《亚洲现代戏剧与表演1900—2000》(2014)、《梅休因亚洲现代戏剧选集》(2014)、《殖民地摩登中国的表演杂糅》(2013),担任亚洲表演学会主席(2011—2015),《亚洲戏剧学刊》(2017— )主编,主要讲授世界戏剧史、亚洲戏剧和跨文化戏剧等课程,研究方向为20世纪加拿大亚裔戏剧和亚洲戏剧。

The Research of Cross-Cultural Theatre in Asia: An Interview with Professor Liu Siyuan

Zhang Lifen, Liu Siyuan   

  • Published:2022-05-18
  • About author:Zhang Lifen is a PhD candidate in drama and film program at the College of Arts, Nanjing University (Nanjing 210093, China), an associate professor at the School of Humanities, Jiangsu University of Technology (Changzhou 213001, China). Her academic research is focused on modern Chinese theatre and sinology. Email: lifekate@163.com;Liu Siyuan is a professor at the University of British Columbia, Canada (Vancouver V6T 1Z4, Canada). He received his PhD from the University of Pittsburgh. His representative works include Routledge Handbook of Asian Theatre (2016), Modern Asian Theatre and Performance 1900-2000 (co-author, 2014), The Methuen Drama Anthology of Modern Asian Plays (co-editor, 2014) and Performing Hybridity in Colonial-Modern China (2013). He served as the President of the Association for Asian Performance from 2011 to 2015. He is the editor-in-chief of Asian Theatre Journal from 2017. He teaches the history of world theatre, Asian theatre and intercultural theatre. His research focuses on Canadian Asian theatre and Asian theatre of the 20th century. Email: liu44@mail.ubc.ca

内容摘要: 2018年在美国加州大学戴维斯分校访学期间,张丽芬与加拿大英属哥伦比亚大学刘思远教授围绕亚洲跨文化研究进行了访谈。在访谈中,刘思远教授回忆了自己的学术成长历程,重点阐述了跨文化视野下的中日戏剧影响研究、亚洲戏剧研究。刘思远教授的研究主要从戏剧学出发,在方法上文本、剧场、历史、理论并重,在视角上将话剧和戏曲置于全球殖民化、现代化的框架中考察,兼顾亚洲特别是日本戏剧的发展及其对中国的影响。刘思远教授指出,文明戏的文化杂糅性使其成为东亚殖民主义现代性的戏剧艺术典型。刘思远教授认为随着亚洲戏剧经典文献建设的日益完善,亚洲戏剧在世界戏剧史上的地位日益提高。

关键词: 跨文化, 亚洲戏剧, 文明戏, 表演杂糅, 戏剧教学

Abstract: In 2018, Zhang Lifen interviewed Professor Liu Siyuan at the University of British Columbia about the cross-cultural Asian theatre during her visiting study at the University of California, Davis. In this interview, Professor Liu Siyuan recalls his academic growth, and mainly expounds the influence between Chinese and Japanese theatre from the cross-culture perspective, and Asian theatre studies. The research of Professor Liu Siyuan starts with drama, and the text, theater, history and theory are emphasized equally in method. He puts spoken drama and traditional Chinese opera in the framework of global colonization and modernization in perspective. He also considers the development of Asian drama, especially Japanese drama and its influence on China. Professor Liu Siyuan points out that the cultural hybridity of civilized drama makes it a typical drama art of east Asian colonialism modernity. He thinks that with the development of the classical literature of Asian drama, Asian drama is playing an increasingly important role in the history of world drama.

Key words: cross-culture, Asian theatre, civilized drama, performing hybridity, drama teaching

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