Foreign Literature Studies ›› 2019, Vol. 41 ›› Issue (2): 1-14.

• Academic Interview •     Next Articles

Jerzy Grotowski and the Polish Theatre: An Interview with Maria Shevtsova

He Chengzhou, Maria Shevtsova   

  • Published:2022-05-18
  • About author:He Chengzhou, PhD of Oslo University, is Yangtze River Chair Professor of English and Drama, Dean of the School of Arts, Nanjing University, and Foreign Member of Academia Europaea (the Academy of Europe) (Nanjing 210093, China). His research areas include modern drama, performance studies, comparative literature, and critical theory. Email: chengzhou@nju.edu.cn;Maria Shevtsova, PhD of University of Paris III, has since 1999 been Chair Professor of Drama and Theatre Arts and Director of the Sociology of Theatre and Performance Research Group, Goldsmith, University of London. She is currently serving as the permanent editor-in-chief of the international journal, New Theatre Quarterly (Cambridge UP). Email: M.Shevtsova@gold.ac.uk

Abstract: Jerzy Grotowski (1933-1999), a Polish theatre director and theorist, was widely respected as one of the most influential figures of experimental theatre and actors’ training in the world in the latter half of the 20th century. Among his most enthusiastic admirers, supporters and followers are such renowned theatre directors as Peter Brook, Richard Schechner and Eugenio Barba. This interview with Maria Shevtsova, Chair Professor of Theatre Arts from University of London and a specialist on Grotowski, addresses some key issues in Grotowski studies, such as the political and historical contexts of his theatre career, his concepts of “poor theatre” and “art as vehicle,” his cosmopolitan ethics, his indebtedness to the Oriental theatre and other different theatre and performance traditions, his influence on dramatists, actors and theatre directors, and his inspiring impact upon the theatre world today.

Key words: Jerzy Grotowski, Polish Drama, theatre, performance

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