Foreign Literature Studies ›› 2019, Vol. 41 ›› Issue (2): 15-22.

• Academic Interview • Previous Articles     Next Articles

The Research of Cross-Cultural Theatre in Asia: An Interview with Professor Liu Siyuan

Zhang Lifen, Liu Siyuan   

  • Published:2022-05-18
  • About author:Zhang Lifen is a PhD candidate in drama and film program at the College of Arts, Nanjing University (Nanjing 210093, China), an associate professor at the School of Humanities, Jiangsu University of Technology (Changzhou 213001, China). Her academic research is focused on modern Chinese theatre and sinology. Email: lifekate@163.com;Liu Siyuan is a professor at the University of British Columbia, Canada (Vancouver V6T 1Z4, Canada). He received his PhD from the University of Pittsburgh. His representative works include Routledge Handbook of Asian Theatre (2016), Modern Asian Theatre and Performance 1900-2000 (co-author, 2014), The Methuen Drama Anthology of Modern Asian Plays (co-editor, 2014) and Performing Hybridity in Colonial-Modern China (2013). He served as the President of the Association for Asian Performance from 2011 to 2015. He is the editor-in-chief of Asian Theatre Journal from 2017. He teaches the history of world theatre, Asian theatre and intercultural theatre. His research focuses on Canadian Asian theatre and Asian theatre of the 20th century. Email: liu44@mail.ubc.ca

Abstract: In 2018, Zhang Lifen interviewed Professor Liu Siyuan at the University of British Columbia about the cross-cultural Asian theatre during her visiting study at the University of California, Davis. In this interview, Professor Liu Siyuan recalls his academic growth, and mainly expounds the influence between Chinese and Japanese theatre from the cross-culture perspective, and Asian theatre studies. The research of Professor Liu Siyuan starts with drama, and the text, theater, history and theory are emphasized equally in method. He puts spoken drama and traditional Chinese opera in the framework of global colonization and modernization in perspective. He also considers the development of Asian drama, especially Japanese drama and its influence on China. Professor Liu Siyuan points out that the cultural hybridity of civilized drama makes it a typical drama art of east Asian colonialism modernity. He thinks that with the development of the classical literature of Asian drama, Asian drama is playing an increasingly important role in the history of world drama.

Key words: cross-culture, Asian theatre, civilized drama, performing hybridity, drama teaching

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