小说化的戏剧——论“费加罗三部曲”的现代性

外国文学研究 ›› 2018, Vol. 40 ›› Issue (2): 142-150.

小说化的戏剧——论“费加罗三部曲”的现代性

龙佳, 史忠义

出版日期:2018-04-25 发布日期:2022-05-24
作者简介:龙佳,文学博士,厦门大学外文学院助理教授,研究方向为18世纪法国文学、法国戏剧;史忠义,中国社会科学院外国文学研究所研究员,研究方向为比较文学、中西比较诗学。
基金资助:
福建省社会科学规划项目“博马舍正剧观研究”（FJ2017B072）; “中央高校基本科研业务费专项资金资助”项目（20720171050）

The Novelization of Drama—On Modernity of the Figaro Trilogy by Beaumarchais

Long Jia, Shi Zhongyi

Online:2018-04-25 Published:2022-05-24
About author:Long Jia, Ph.D. in Literature, is lecturer at the College of Foreign Languages and Cultures, Xiamen University (Xiamen 361005, China). Her research area is French literature of the eighteenth century, French theatre. Email: longjia125@hotmail.com; Shi Zhongyi is professor at the Institute of Foreign Literature in Chinese Academy of Social Sciences(Beijing 100732, China). His research area is comparative literature, Chinese and western comparative poetics. Email: shizhongyi51@126.com
Supported by:
“A Study of Beaumarchais’s Conception of Drama,” sponsored by Social Science Planning Program of Fujian Province (FJ2017B072); the Fundamental Research Funds for the Central Universities(20720171050).

摘要/Abstract

内容摘要： 从剧作法的角度考察18世纪法国剧作家博马舍的“费加罗三部曲”,意味着探究古典主义衰落之际戏剧文体的变革。在文体渊源和原则上与戏剧相悖的小说,通过舞台说明与戏剧画面两种叙事性手段侵入三部曲戏剧文本：舞台说明对细节的关注营造出纷繁具体的舞台景象,画面描述则进一步使舞台说明汇零为整,构成静态的戏剧画面,形成画面叙事与戏剧行动并存的文本态势。这一变革的实质为：戏剧文体在探寻自身有效性的过程中不断突破自我边界,走出古典主义,趋向现当代戏剧写作。“费加罗三部曲”由此展现出戏剧小说化的现代性本质。

关键词: 戏剧小说化, “费加罗三部曲”, 舞台说明, 戏剧画面

Abstract: To examine the Spanish Trilogy by Beaumarchais, an 18th century dramatist, in light of dramaturgy, means to study the reform of drama at the time of the French classicism crisis. The novel, whose gender origin and principle differ from those of the drama, penetrates the dramatic text of the Trilogy through two novelistic elements - the stage directions and the theatre tableau. In describing details, the stage directions create narrative environments that come within static dramatic tableaux in order to elaborate a new dramatic text in which the narrative tableau and the dramatic action would coexist. The essence of this reform of drama lies in that a dramatic genre, in search of its own legitimacy, goes beyond its limits and thus departs from classicism and aims at a modern and contemporary dramatic writing. That is how the modernity of Beaumarchais' Spanish Trilogy is achieved.

Key words: novelization of drama, the SpanishTrilogy, stage directions, theatre tableau

龙佳, 史忠义. 小说化的戏剧——论“费加罗三部曲”的现代性[J]. 外国文学研究, 2018, 40(2): 142-150.

Long Jia, Shi Zhongyi. The Novelization of Drama—On Modernity of the Figaro Trilogy by Beaumarchais[J]. Foreign Literature Studies, 2018, 40(2): 142-150.

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