外国文学研究 ›› 2021, Vol. 43 ›› Issue (4): 27-39.

• 马克思主义经典文艺思想当代化研究(栏目主持人:段吉方) • 上一篇    下一篇

资本现代性批判——马克思视域中的文化资本问题及其审美阐释价值

段吉方   

  • 发布日期:2021-08-29
  • 作者简介:段吉方,华南师范大学审美文化与批判理论研究中心常务副主任,文学院教授,主要从事文艺学、美学和马克思主义文艺理论研究。
  • 基金资助:
    国家社科基金重大招标项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269); 国家社科基金重点项目“西方马克思主义文化批判理论范式与审美精神研究”(17AZW002)

Criticism of Capital Modernity: Cultural Capital and Its Value of Aesthetic Interpretation from Marx's Perspective

Duan Jifang   

  • Published:2021-08-29
  • About author:Duan Jifang is the Executive Associate Dean of the Research Center for Aesthetic Culture and Critical Theory and a professor at the School of Chinese Language and Literature, South China Normal University (Guangzhou 510006, China), specializing in the study of literature and art, aesthetics, and Marxist theory of literature and art. Email: duanjifang@163.com
  • Supported by:
    “A Study on the Sinicization and Modernization of Classical Marxist Literary Thoughts” (17ZDA269) and “Research on the Theoretical Paradigm of Western Marxist Cultural Criticism and Aesthetic Spirit” (17AZW002) sponsored by the National Social Science Fund of China

内容摘要: 马克思在他的历史唯物主义理论中提出并阐释资本问题,将资本问题视为决定和影响社会文化再生产关键问题。马克思在提出并阐释资本问题的过程中没有拒绝和遗忘感性,包括审美问题,而是强调在分析“资本运动规律”过程中关注人的感性和理性的融合。马克思对资本问题的阐释不但奠定了资本主义社会文化批判理论的基础,而且为后来的文化批判理论发展提供了理论和实践的契机。资本不完全是冰冷的现实的货币价值的一部分,而是社会文化生产和再生产交换领域重要的支配因素,以这种理论形式,资本现代性批判进入当代批判理论的视野之内并产生了重要的理论反响。

关键词: 马克思, 文化资本, 再生产, 资本现代性批判

Abstract: Marx put forward and defined the problem of capital in his theory of historical materialism, and he regarded it as the key issue in determining and affecting the social and cultural reproduction. While putting forward and defining the problem of capital, Marx did not reject or forget sensibility, even aesthetics. Instead, he emphasized the need for the integration of human sensibility and rationality in the process of analyzing the “law of capital movement.” Marx's interpretation of the problem of capital not only laid down the foundation of the critical theory on the capitalist society and culture, but also provided a theoretical and practical opportunity for the later development of cultural critical theory. Capital is not entirely a part of the cold and realistic monetary value. It is also an important dominant factor in the sphere of social and cultural production and reproduction. With this theoretical form, the criticism of capital modernity has come into the vision of contemporary critical theory and generated profound theoretical repercussions.

Key words: Marx, culture capital, reproduction, criticism of capital modernity

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