外国文学研究 ›› 2021, Vol. 43 ›› Issue (3): 13-32.

• 中外学者对话:美国当代实验诗歌研究 • 上一篇    下一篇

可感知的停顿:雷·阿曼特劳特的无声诗学

布莱恩·里德   

  • 出版日期:2021-06-25 发布日期:2021-07-03
  • 作者简介:布莱恩·里德,美国华盛顿大学西雅图分校英语教授、人文学科密利曼讲席教授、文理学院文科院长。身为20和21世纪诗歌和诗学专家,曾是罗兹学者和富布莱特学者,已发表三本专著,并合编两本论文集。他在诗中的意像——文本关系、诗的音质和诗与其他艺术门类的关系等方面著述甚丰。

Palpable Stoppages: Rae Armantrout's Poetics of Silence

Brian Reed   

  • Online:2021-06-25 Published:2021-07-03
  • About author:Brian Reed is Professor of English, Milliman Endowed Chair in the Humanities, and Divisional Dean of the Humanities at the College of Arts and Sciences, University of Washington, Seattle. As a specialist in the 20<sup>th</sup>- and 21<sup>st</sup>-century poetry and poetics and a past Rhodes and Fulbright Scholar, he is the author of three books and the co-editor of two essay collections. He has written widely on image-text relations in poetry, on sound in poetry, and on poetry in relation to other arts. Email: bmreed@uw.edu

内容摘要: 雷·阿曼特劳特是一位荣获普利策奖的美国诗人。尽管时常被人称之为语言诗西海岸分支的一位创立人,她还被公认为该创作运动某些方面的早期批评者。她的发言,“诗的无声”(1985),表明了反对不同散文诗(名为新句)种类的立场,认为她的许多同行写作时只为了趋附一种断然的、警示性的风格,她将此风格划归阳刚的范畴。相反,她力荐一种线性、断裂但又容纳“无声”的抒情诗。通过阅读阿曼特劳特同时代诗人朗·斯利曼的作品,以及她本人当时的诗歌,本文重温“诗的无声,”并重构其针对语言诗流派诗学的介入。她启用无声来设法解释她为截断媒体连绵不断的攻击而所作的努力,而这样的攻击制约着人们独立、真诚地思考和行动的能力。她坚信,人们不能一劳永逸地获得这样的无声;人们必须持之以恒地去努力获取、延续它,从诗到诗,一行又一行。

关键词: 阿曼特劳特, 美国诗歌, 抒情诗, 先锋派诗学, 语言诗

Abstract: Rae Armantrout is a Pulitzer Prize-winning American poet who, while often referred to as a founding member of the West Coast branch of Language Poetry, is also known as an early critic of some aspects of that movement. Her talk, “Poetic Silence” (1985), took a stand against the variety of prose poetry—called the New Sentence—that many of her peers were writing on the grounds that it tended toward an assertive, epigrammatic style that she characterizes as masculinist. She argues instead for a lineated, ruptured lyric that admits “silence.” This essay revisits “Poetic Silence” and reconstructs its intervention into the poetics of the Language group by reading it alongside the work of such contemporaries Ron Silliman and her own verse from the period. She invokes silence as a way to explain her efforts to interrupt the media barrage that overwhelms people's abilities to think and act independently and authentically. One cannot, she insists, achieve such silence once and for all; one must perpetually labor to attain and sustain it, from poem to poem and line to line.

Key words: Armantrout, American poetry, lyric poetry, avant-garde poetics, Language Poetry

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