[1] Bhabha, Homi.“The World and the Home.” Social Text, no. 31/32, Third World and Post-Colonial Issues, Duke UP, 1992, pp. 141-53. [2] Bredehoft, Thomas A.“The Gibson Continuum: Cyberspace and Gibson's Mervyn Kihn Stories.” Science Fiction Studies, vol. 22, no. 2, Feb. 2013, pp. 252-63. [3] Fair, Benjamin.“Stepping Razor in Orbit: Postmodern Identity and Political Alternatives in William Gibson's Neuromancer.” Critique: Studies in Contemporary Fiction, vol. 46, no. 2, Winter 2005, pp. 92-103. [4] 方凡:《美国后现代科幻小说》.浙江大学出版社,2012年. [Fang fan. American Postmodern Science Fiction. Zhejiang UP, 2012.] [5] Freud, Sigmund.The Uncanny. Translated by David Mclintock, Penguin Group, 2003. [6] 福原泰平:《拉康:镜像阶段》.王小峰、李濯凡译,河北教育出版社,2002年. [Fukuhara, Taihei.Lacan: The Mirror Stage. Translated by Wang Xiaofeng and Li Zhuofan, Hebei Education Press, 2002.] [7] 威廉·吉布森:《神经漫游者》.Denovo译,江苏文艺出版社,2013年. [Gibson, William. Neuromancer.Translated by Denovo, Jiangsu Literature and Art Publishing House, 2013.] [8] Haraway, Donna.“A Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 1980s.” The Haraway Reader, edited by Donna Haraway, Routledge, 2004, pp.7-45. [9] 戴维·哈维:《后现代的状况——对文化变迁之缘起的探究》.阎嘉译, 商务印书馆, 2003年. [Harvey, David.The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Translated by Yan Jia, The Commercial Press, 2003.] [10] Hayles, N. Katherin.How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. U of Chicago P, 1999. [11] 贺玉高:《霍米·巴巴的杂交性身份理论研究》.中国社会科学出版社,2012年. [He Yugao.Study of Homi Bhabha's Theory of Hybrid Identity. China Social Sciences Press, 2012.] [12] Kristeva, Julia.Strangers to Ourselves. Translated by Leon S. Roudiez, Harvester Wheatsheaf, 1994. [13] 马歇尔•麦克卢汉:《理解媒介:论人的延伸》.何道宽译,译林出版社,2011年. [McLuhan, M. Understanding Media: The Extensions of Man. Translated by He Daokuan, Yilin Press, 2011.] [14] 聂珍钊:《文学伦理学批评:基本理论与术语》.《外国文学研究》第32卷第1期,2010年2月,第12—22页. [Nie Zhenzhao.“Ethical Literary Criticism: Its Fundaments and Terms.” Foreign Literature Studies, vol. 32, no. 1, Feb. 2010, pp. 12-22.] [15] Renegar, Valerie R. and George N. Dionisopoulos. “The Dream of a Cyberpunk Future? Entelechy, Dialectical Tension, and the Comic Corrective in William Gibson's Neuromancer.” Southern Communication Journal, vol. 76, no. 4, Sept.-Oct. 2011, pp. 323-41. [16] Suvin, Darko.Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Peter Lang AG, 2010. [17] 张云驰、刘丹:《<神经漫游者>中的物态化叙事与后人类文化》.《黑龙江工业学院学报》第17卷第6期,2017年6月,第143—147页. [Zhang Yunchi and Liu Dan. “Materialistic Narration and Posthuman Culture Revealed in Neuromancer.” Journal of Heilongjiang University of Technology, vol. 17, no. 6, June 2017, pp. 143-47.] |