外国文学研究 ›› 2019, Vol. 41 ›› Issue (2): 126-136.

• 美国文学研究 • 上一篇    下一篇

拟态、演化与叙事:纳博科夫《天赋》对进化论的文化反思

吴娟   

  • 发布日期:2022-05-18
  • 作者简介:吴娟,文学博士,北京理工大学外国语学院副教授,主要从事现当代美国文学与文学理论研究。
  • 基金资助:
    国家社科基金项目“纳博科夫小说的科学思想与诗学建构研究”(18BWW045)

Imitation, Evolution and Narrative: Cultural Reflection on Evolution in Nabokov’s The Gift

Wu Juan   

  • Published:2022-05-18
  • About author:Wu Juan, a PhD in literature, is an associate professor at the School of Foreign Language, Beijing Institute of Technology (Beijing 100081, China). Her research is mainly focused on modern and contemporary American literature and literary theory. Email: janewu@pku.edu.cn
  • Supported by:
    “Scientific Thoughts and Poetic Construction of Vladimir Nabokov’s novels” (18BWW045) , sponsored by the National Social Science Fund of China

内容摘要: 纳博科夫将文学批评有机地融入到《天赋》的叙述与情节之中,在文本中用戏仿、拼贴、暗指、变位词、意象、人物对话、作者闯入等方式对达尔文进化论进行批评,演绎出其独特的拟态观与进化观。小说中所指涉的生物学家和文学人物众多,因此被认为是纳博科夫对进化论历史的戏仿,一幅文学批评的全景画。探究纳博科夫在小说中对达尔文进化论的批评是研究其创作思想与叙述艺术的不可或缺的步骤。论文从戏仿、拼贴、暗指、变位词、意象、人物对话、作者闯入等方面来探讨纳博科夫怎样将文本作为文学批评,怎样将科学构想融入诗性语言,对达尔文进化论进行兼具科学思辨性与艺术审美性的文化反思。

关键词: 纳博科夫, 《天赋》, 拟态, 进化, 叙事

Abstract: Nabokov incorporates, naturally and organically, literary criticism into the narrative and plot of The Gift, critiquing Darwin’s theory of evolution through parodies, pastiches, allusions, anagrams, symbols, dialogues and authorial intrusions, and expounding his unique views on imitation and evolution. Given its extensive coverage of numerous biologists and literary figures, The Gift has been regarded as a parody of the evolution history and a panorama of Nabokov’s literary criticism. A look into Nabokov’s critique of Darwin’s theory of evolution is an inevitable step in the study of his literary views and narrative art. By analyzing his use of various rhetorical devices, narrative voice, and authorial direct comment, this article attempts to explore how Nabokov converted the text of The Gift into a literary critique and integrated scientific ideas with poetic language all for the purpose of delivering a cultural reflection on Darwin’s theory of evolution reinforced by scientific inquiries and aesthetic deliberations.

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