外国文学研究 ›› 2017, Vol. 39 ›› Issue (2): 5-11.

• 诗歌研究 • 上一篇    下一篇

论《诗歌的黑音》中伯恩斯坦的先锋诗学

黎志敏   

  • 出版日期:2017-04-25 发布日期:2022-06-15
  • 作者简介:黎志敏,广州大学外国语学院教授,研究领域涉及文化、哲学与诗学。
  • 基金资助:
    本文为广东省哲学社会科学“十二五”规划2013年度项目【项目批号:GD13CWW05】以及2014年国家社科基金年度项目【项目批号:14BWW052】的阶段性成果

Reflections of Charles Bernstein's Avant-garde Poetics on Basis of Pitch of Poetry

Li Zhimin   

  • Online:2017-04-25 Published:2022-06-15
  • About author:Li Zhimin is professor at School of Foreign Studies, Guangzhou University (Guangzhou 510006, China). His research interests focus upon modern culture, philosophy and poetics. Email:washingtonlzm@sina.com

内容摘要: 本文以对伯恩斯坦的新著《诗歌的黑音》的评论为契机,反思并总结了作为美国语言诗派领头羊的伯恩斯坦的三大先锋诗学原则,分析了其对于西方先锋诗学之重大贡献。本人认为伯恩斯坦的三大先锋诗学原则是:其一、永不停息的探索;伯恩斯坦在诗坛已经功成名就,不过他不改初衷,指出先锋诗歌的旅程“没有终点”,仍然继续着自己的诗学探索。其二、重视组织诗学;伯恩斯坦认为组织是一种“诗学实践”,在其一生中,他花了大量时间从事诗歌组织工作,帮助其他诗人,充当了先锋诗人群体的“粘合剂”,切实地促进了先锋诗歌队伍的壮大。其三、不断扩大语言诗派家族体系;伯恩斯坦被公认为语言诗派的奠基人,一路陪伴语言诗派的发展壮大。有趣的是,他自己甚至并不认为存在所谓“语言诗”,原因在于他并没有将自己的诗歌主张强加于其他诗人,而是赋予了其他人充分的创作自由,从而使语言诗派呈现出一种异彩纷呈的生动局面。伯恩斯坦的这三大先锋诗学原则对于中国现代诗歌的发展具有重大借鉴意义。

关键词: 查尔斯·伯恩斯坦, 先锋诗, 语言诗, 诗学原则

Abstract: This essay explicates three principles of Charles Bernstein's avant-garde poetics while reflecting on his new book of Pitch of Poetry, highlighting the contribution of Bernstein, as a leading figure of language poetry, to avant-garde poetics in the West. The first of the three principles is non-stop exploration. Bernstein is now a well-established figure. However, he insists “Our journeys don't end, our business is unfinished”, and has been consistently carrying out exploration in the field of avant-garde poetics. The second is poetics of organization. Bernstein considers that “organizing is a poetic practice”, and has served as a strong “connective tissue” for the circle of avant-garde poets by taking up many organizing activities and offering assistance to many poets. The third is ever-expanding L=A=N=G=U=A=G=E family. Bernstein is considered as a founder of language poetry and has been urging its development. Paradoxically, Bernstein himself suggests that “Language Poetry does not exist”. It is because Bernstein has never attempted to force upon others of his poetics, allowing all poets of the group to have complete freedom to carry out their own exploration. Thus each poet of this group is writing poetry of their own individual characters, though they share a certain family resemblance. The three principles of Charles Bernstein's avant-garde poetics could shed great light for pushing forward the development of avant-garde poetry in China.

Key words: Charles Bernstein, avant-garde poetry, language poetry, principles of poetics

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