外国文学研究 ›› 2017, Vol. 39 ›› Issue (1): 140-149.

• 批评与批评研究 • 上一篇    下一篇

纳博科夫与什克洛夫斯基诗学对话探微

赵晓彬   

  • 出版日期:2017-02-25 发布日期:2022-06-15
  • 作者简介:赵晓彬,文学博士,哈尔滨师范大学俄罗斯文化艺术研究中心主任、黑龙江大学俄罗斯语言文学与文化研究中心兼职研究员,研究方向为俄罗斯文学与文论。
  • 基金资助:
    本文系国家社科基金项目“形式主义诗学视野下的什克洛夫斯基散文创作研究”【项目批号:13BWW036】的阶段性成果

Poetic Dialogism between Nabokov and Shklovsky

Zhao Xiaobin   

  • Online:2017-02-25 Published:2022-06-15
  • About author:Zhao Xiaobin, Ph.D in literature, is chief of Research Center for Russian Culture & Arts at Harbin Normal University (Harbin 150025, China) and adjunct fellowship at Research Center for Russian Language, Literature & Culture at Heilongjiang University (Harbin 150080, China). Her research interests include Russian literature and literary theory. Email: zhxb2000@163.com

内容摘要: 纳博科夫和什克洛夫斯基同为1920年代柏林的俄侨作家和批评家。二人在侨居生活与文学活动上有着近似的命运和际遇,在具体创作与诗学探索上则构成潜在的诗学对话与交流,这在短篇小说“柏林向导”和自传体小说《动物园》有具体而微的呈现。这种诗学对话表明,在呼应什克洛夫斯基陌生化审美原则的同时,纳博科夫更多的是对形式主义诗学的继承性超越。

关键词: 纳博科夫, 什克洛夫斯基, 诗学对话, “柏林向导”, 《动物园》

Abstract: Both Nabokov and Shklovsky were Russian émigré writers and critics in Berlin in the 1920s. As to their sojourn abroad and literary activities, the two had much the same fate and fortune. From the perspectives of literary writing and poetic exploration, “A Guide to Berlin” and Zoo: or Letters Not about Love constitute hidden poetic dialogism which is embodied, in specific detail, in the two works. The dialogism suggests that Nabokov, to some extent, corresponded to Shklovsky's aesthetic principles of defamiliarization. However, it indicates more Nabokov's inheritance and transcendence of formalism poetics.

Key words: Nabokov, Shklovsky, poetic dialogism, “A Guide to Berlin”, Zoo: or Letters Not about Love

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