Foreign Literature Studies ›› 2018, Vol. 40 ›› Issue (1): 147-156.

• Criticism and Studies of Criticism • Previous Articles     Next Articles

A Study of the Epic-type Structure Mode of The Dead Souls by Nikolai Gogol

Wu Di   

  • Online:2018-02-25 Published:2022-05-23
  • About author:Wu Di, Ph.D. in Literature, is professor at Zhejiang Yuexiu University of Foreign Languages (Shaoxing 312000, China), professor and Ph.D. supervisor at the Institute of World Literature and Comparative Literature, Zhejiang University (Hangzhou 310058, China). His research interests are English poetry, Russian poetry and comparative literature. Email: hzwudi@yahoo.com

Abstract: Nikolai Gogol is regarded as a great Russian writer owing to his representative work The Dead Souls, which is a novel, but is called as “epic poem”. Which genre is it actually? It has aroused a lot of debates. This paper tries to probe into this topic from the perspective of the structure mode. The author of this paper thinks that the purpose of Nikolai Gogol is to create such epic poem as Dante’s Devine Comedy, using three-volume structure to parallel Dante’s Hell, Purgatory, and Paradise in his Divine Comedy, and the exploration for the future of Russia is through the work. So, the first volume of The Dead Souls is characteristic for its hell-like travel and dead-souls description. In the self-destroyed second volume, Nikolai Gogol tried to express the purification of the protagonists. And in the unwritten third volume of the epic, certainly, Nikolai Gogol planned to create the high state and ideal characters. The paper points outthat the dead souls are not the real dead serfs, but symbols of the moral bankruptcy and the spiritual destruction of the society of that time.

Key words: Nikolai Gogol, The Dead Souls, epic feature, structure mode

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