Foreign Literature Studies ›› 2017, Vol. 39 ›› Issue (5): 84-89.

• British Literature Studies • Previous Articles     Next Articles

The historical moral potential in The Woman in White

Hu Beike, Li Zeng   

  • Online:2017-10-25 Published:2022-06-15
  • About author:Hu Beike is Ph.D. candidate at School of Foreign Languages, Northeast Normal University (Changchun 130024, China). Her research interest is British and American literature.Email: beike_rebecca_hu@163.com; Li Zeng is professor at School of Foreign Languages, Northeast Normal University (Changchun 130024, China). His research interest is Western literary theory and British and American literature. Email: zengli642@aliyun.com

Abstract: Taking “sensation” and “suspense” as its main narrative strategy, the attitude toward marriage and property as its clue, and the conflict between “good” and “evil” as its connotation, the British novelist W. Collins' The Woman in White interpreted the ethical and moral ideas of the middle class in the Victorian Age, which formed the genre of sensation novel and reached the dialectical unification between form and content in a sensation novel, and thus exerted great impact on the Development of the later similar fiction in the different literary contexts.

Key words: sensation novel, Wilkie Collins, The Woman in White

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