Collision between Sense and Sensibility behind Race-Centered Conflict: Covert Progression in Wolff's “Say Yes”
An Shuai
Online:2017-06-25
Published:2022-06-15
About author:An Shuai is a Ph.D. candidate in the Department of English Language and Literature, Peking University (Beijing 100871, China). His major research areas are American literature and narratology. Email: anshuai0215@pku.edu.cn
An Shuai. Collision between Sense and Sensibility behind Race-Centered Conflict: Covert Progression in Wolff's “Say Yes”[J]. Foreign Literature Studies, 2017, 39(3): 104-111.
[1] Chaucer, Geoffrey.Canterbury Tales. New York: Barnes & Noble Classics, 2007. [2] Hanah, James.Tobias Wolff: A Study of the Short Fiction. New York: Twayne Publishers, 1996. [3] Kelly, J. Colm.“Affirming the Indeterminable: Deconstruction, Sociology, and Tobias Wolff’s ‘Say Yes’.” Mosaic 32.1(1999): 149-66. [4] Lyons, Bonnie, Bill Oliver and Tobias Wolff. “An Interview with Tobias Wolff.” Contemporary Literature 31.1(1990): 1-16. [5] O’Gorman, Farrell. “Tobias Wolff’s Back in the World: American Dreamers, American Desert, Saving World.” Critique 48.1(2006): 71-89. [6] Schofield, Martin.“Winging It: Realism and Invention in the Stories of Tobias Wolff.”Yearbook of English Studies 31(2001): 93-108. [7] Wolff, Tobias.This Boy’s Life. New York: Grove, 1989. [8] ---. “Say Yes.” Back in the World. New York: Vintage, 1996. 74-81.