“俄国想象”与近代中日对俄罗斯文学的引介

外国文学研究 ›› 2017, Vol. 39 ›› Issue (6): 63-72.

• 中外学者对话俄罗斯文学研究 • 上一篇下一篇

“俄国想象”与近代中日对俄罗斯文学的引介

王胜群

出版日期:2017-12-25 发布日期:2022-06-15
作者简介:王胜群,浙江大学世界文学与比较文学研究所博士后、助理研究员,主要从事中日现代文学与比较研究。
基金资助:
浙江省哲学社会科学规划立项课题“俄罗斯文学与中、日现代文学生成因缘研究”（17NDJC200YB）

“Imaginations of Russia” and the Introductions of Russian Literature into Modern China and Japan

Wang Shengqun

Online:2017-12-25 Published:2022-06-15
About author:Wang Shengqun is post doctor and assistant research fellow in Institute of World Literature & Comparative Literature at Zhejiang University (Hangzhou 310058, China). Her research interests include modern Japanese literature and comparative study of Chinese and Japanese literatures. Email: aironly@hotmail.co.jp
Supported by:
“The Influence of Russian Literature on the Formation of Modern Chinese and Japanese Literatures” (17NDJC200YB), sponsored by Program of Philosophy and Social Science in Zhejiang Province

摘要/Abstract

内容摘要： 近代中日两国对俄罗斯文学的引介,都内置于与西方错综复杂的关系之中,并且紧密关联着各自的现代化焦虑及其影响下的“俄国想象”。在明治时期的日本,俄国作为西方之外的另一个他者,提供了对西方现代性的补充乃至反思、抵抗的想象;而俄罗斯文学因其在西方的影响力成为明治日本的关注对象,又在其西式现代化道路上被引为象征性的补偿。相较于此,五四时期的中国知识分子将西方视为绝对他者,通过中俄“相似性”话语的生产与反复,构建了一种“镜像化”的俄国想象;由此俄罗斯文学获致了合法性,成为被积极引介的外来文化资源。要而言之,中日在各自的现代化转型期,面对强势的西方他者,以截然相异的方式借助了对俄国这一对抗性话语的挪用,尝试在西方现代性之外探寻新的路径与可能性。

关键词: 俄罗斯文学, 明治日本, 俄国想象, 现代性

Abstract: The introduction of Russian literature into modern China and Japan occurred within a complicated nexus with the West, and was tightly connected to their respective anxieties about modernizationin and with the imaginations of Russia under the influence of such anxieties. As another Other to Meiji-era Japan aside from the West, Russia provided imagination as a meansto supplement, rethink and resist Western modernity. Due to its influence upon the West, Russian literature enabled Japanese intellectuals to compensate for the nostalgia produced by the process of Westernization/modernization. In comparison, Chinese intellectuals in the May Fourth period, who deemed the West as an absolute Other, constructed a “mirror image” of Russia by producing and repeating a discourse of “affinity” between China and Russia. In this sense, Russian literature obtained its justification and was introduced in China positively as an alien cultural resource. In brief, during their respective periods of modernization, facing a strong Western Other, China and Japan disparately utilized the imagination of Russia and Russian literature as resistant discourses, in their atlempt to seek an alternative to Western modernity.

Key words: Russian literature, Meiji-era Japan, imagination of Russia, modernity

王胜群. “俄国想象”与近代中日对俄罗斯文学的引介[J]. 外国文学研究, 2017, 39(6): 63-72.

Wang Shengqun. “Imaginations of Russia” and the Introductions of Russian Literature into Modern China and Japan[J]. Foreign Literature Studies, 2017, 39(6): 63-72.

参考文献

[1] 福沢諭吉:「掌中万国一覧」『福沢諭吉全集2』東京:岩波書店,1959年.455—484.
[Fukuzawa Yukichi.“Pocket Almanac of the World.” Complete Works of Fukuzawa Yukichi.Vol. 2. Tokyo: Iwanami Shoten, 1959. 455-84.]
[2] 二葉亭四迷:「作家苦心談」『二葉亭四迷全集第5巻』東京:岩波書店,1964年.162—167.
[Futabatē Shimē.“A Writer’s Painstaking Effort.” Complete Works of Futabatē Shimē. Vol. 5. Tokyo: Iwanami Shoten, 1964. 162-67.]
[3] 郭绍虞:《俄国美论与其文艺》,《小说月报》号外《俄国文学研究》(1921):1—9.
[Guo Shaoyu. “Russian Aesthetics, Literature and Art.” Fiction Monthly, Special Edition of Russian Literature Studies (1921): 1-9.]
[4] 列文森:《儒教中国及其现代命运》,郑大华任菁译.北京:中国社会科学出版社,2000年.
[Levenson, Joseph.Confucian China and Its Modern Fate. Trans. Zheng Dahua and Ren Jing. Beijing: China Social Sciences Press, 2000.]
[5] 李大钊:《俄罗斯文学与革命》,《人民文学》5(1979):3—7.
[Li Dazhao.“Russian Literature and Revolutions.”People’s Literature 5(1979): 3-7.]
[6] 李欧梵:《文学的趋势Ⅰ:对现代性的追求1895—1927年》,《剑桥中华民国史1912—1949年・上卷》,费正清编,杨品泉等译.北京:中国社会科学出版社,1994年.505—566.
[Li Oufan.“Literary Trends I: The Quest for Modernity 1895—1927.” Vol. 12 of The Cambridge History of China. Republican China 1912-1949. Part I. Ed. John. K. Fairbank. Trans.Yang Pinquan et. al. Beijing: China Social Sciences Press, 1994. 505-66.]
[7] 鲁迅:《英译本〈短篇小说选集〉自序》,《鲁迅全集第六卷荆天丛笔・上》.北京:中国文联出版社,2013年.647—649.
[Lu Xun.“Author’s Preface of the English Version of Selected Short Novels.” Complete Works of Lu Xun. Vol. 6. Beijing: China Federation of Literary and Art Circles Publishing House, 2013. 647-49.]
[8] ——:《祝中俄文字之交》,《鲁迅全集第四卷南腔北调集》.北京:中国文联出版社,2013年.362—366.
[---. “Celebrating the Literary Amity between China and Russia.” Complete Works of Lu Xun. Vol. 4. Beijing: China Federation of Literary and Art Circles Publishing House. 2013. 362-66.]
[9] ——:《叶紫作〈丰收〉序》,《鲁迅全集第七卷荆天丛笔・下》.北京:中国文联出版社,2013年.200—202.
[---. “Preface of Ye Zi’s Good Harvest.” Complete Works of Lu Xun. Vol. 7. Beijing: China Federation of Literary and Art Circles Publishing House. 2013. 200-02.]
[10] 丸山真男:《日本的思想》,区建英刘岳兵译.北京:三联书店,2009年.
[Maruyama Masao.Thought in Japan. Trans. Ou Jianying and Liu Yuebing. Beijing: SDX Joint Publishing Company, 2009.]
[11] 松本健一:『ドストエフスキイと日本人――二葉亭四迷から芥川龍之介まで(上)』東京:第三文明社,2008年.
[Matsumoto Ken’ichi.Dostoevsky and the Japanese: From Futabatē Shimē to Akutagawa Ryūnosuke. Part. 1. Tokyo: Daisanbunmei-sha, 2008.]
[12] 宫本百合子:「作者の言葉」『貧しき人々の群』東京:角川書店、1953年. 207—209.
[Miyamoto Yuriko. “Author’s Words.” Throng of Impecunious People. Tokyo: Kadokawa Shoten, 1953. 207-09.]
[13] 昇曙夢:「日本文学と露西亞文学」『比較文学――日本文学を中心として』、中島健蔵吉田精一編.東京:矢島書房、1953年. 238—286.
[Nobori Shomu.“Japanese Literature and Russian Literature.” Comparative Literature: With a Focus on Japanese Literature. Ed. Nakajima Kenzō and Yoshida Sē’ichi. Tokyo: Yajima Shobō, 1953. 238-86.]
[14] 太田三郎:「翻訳文学」『岩波講座日本文学史第14卷』東京:岩波書店,1959年.3—44.
[Ōta Saburō.“Literature in Translation.” The History of Japanese Literature of Iwanami Seminar. Vol. 14. Tokyo: Iwanami Shoten, 1959. 3-44.]
[15] 史书美:《现代的诱惑——书写半殖民地中国的现代主义(1917—1937)》,何恬译.南京:江苏人民出版社,2007年.
[Shih, Shumei.The Lure of the Modern: Writing Modernism in Semicolonial China, 1917—1937. Trans. He Tian. Nanjing: Jiangsu People’s Publishing House, 2007.]
[16] 瞿秋白:《〈俄罗斯名家短篇小说集〉序》,《瞿秋白文集文学编第二卷》.北京:人民文学出版社,1986年.248—249.
[Qu Qiubai.“Preface of Selected Short Novels of Famous Russian Writers.” Selected Works of Qu Qiubai. Literature. Vol. 2. Beijing: People’s Literature Publishing House, 1986. 248-49.]
[17] 王向远:《中国早期写实主义文学的起源、演变与近代日本的写实主义》,《中国文化研究》10(1995):109—114.
[Wang Xiangyuan.“Origins and Evolutions of Early Chinese Realism Literature, and Modern Japanese Realism.”Study of Chinese Culture 10(1995): 109-14.]
[18] 八島雅彦:「日本におけるトルストイの原像」『ロシア文化の森へ――比較文化の総合研究』、柳富子編.東京:ナダ出版センター、2001年.488—504.
[Yashima Masahiko.“Original Image of Tolstoy in Japan.” Toward the Forest of Russian Culture: A Synthetic Research of Comparative Culture. Ed.Yanagi Tomiko. Tokyo: Nada Publish Center, 2001. 488-504.]
[19] 周作人:《文学上的俄国与中国》,《新青年》8. 5(1921):1—7.
[Zhou Zuoren.“Russia and China in Literature.” New Youth 8. 5(1921): 1-7.]

“俄国想象”与近代中日对俄罗斯文学的引介

“Imaginations of Russia” and the Introductions of Russian Literature into Modern China and Japan

可视化

摘要/Abstract

引用本文

使用本文

参考文献

相关文章 9

编辑推荐

Metrics

本文评价

[1]	段吉方. 资本现代性批判——马克思视域中的文化资本问题及其审美阐释价值[J]. 外国文学研究, 2021, 43(4): 27-39.
[2]	李建英. 兰波诗学的现代性[J]. 外国文学研究, 2020, 42(6): 16-26.
[3]	吴笛. 古罗斯的终结：17世纪俄罗斯文学的历史性转型[J]. 外国文学研究, 2020, 42(4): 32-40.
[4]	林精华. 现代俄国自信始于何处：“19世纪俄罗斯文学”起源考[J]. 外国文学研究, 2019, 41(5): 75-89.
[5]	陶家俊. 现代性的生死断裂——1976年福柯与鲍德里亚视野中的生死边界[J]. 外国文学研究, 2018, 40(5): 105-113.
[6]	王树福. 当代俄罗斯新现实主义的兴起[J]. 外国文学研究, 2018, 40(3): 131-142.
[7]	段吉方. 审美与政治：当代西方美学的政治转向及其理论路径[J]. 外国文学研究, 2017, 39(6): 151-160.
[8]	田洪敏. 当代俄罗斯文学中的物性书写：以弗·马卡宁为中心[J]. 外国文学研究, 2017, 39(6): 56-62.
[9]	赵文书, 康文凯. 十字路口的印第安人——解读阿莱克西《保留地布鲁斯》中的生存与发展主题[J]. 外国文学研究, 2017, 39(1): 20-30.