外国文学研究 ›› 2018, Vol. 40 ›› Issue (5): 1-12.

• 中外学者访谈 •    下一篇

当代易卜生研究的问题与方法——奥斯陆大学弗洛德·海兰德教授访谈录

汪余礼, 王阅, 弗洛德·海兰德   

  • 出版日期:2018-10-25 发布日期:2022-05-24
  • 作者简介:汪余礼,武汉大学艺术学院教授,主要研究易卜生与现代戏剧;王阅,武汉大学艺术学院博士研究生,主要研究易卜生戏剧;弗洛德·海兰德,挪威奥斯陆大学易卜生研究中心主任、教授,主要研究易卜生、戏剧理论及斯堪的纳维亚文学。
  • 基金资助:
    国家社科基金项目“易卜生戏剧诗学研究”(13CWW023); 武汉大学自主科研项目“易卜生如何超越莎士比亚的悲剧艺术”

Issues and Methods of Contemporary Ibsen Studies: An Interview with Professor Frode Helland

Wang Yuli, Wang Yue, Frode Helland   

  • Online:2018-10-25 Published:2022-05-24
  • About author:Wang Yuli is professor at the School of Arts, Wuhan University (Wuhan 430072, China), specializing in Ibsen and modern drama. Email:sealighgt9999@126.com; Wang Yue is a Ph.D. candidate at the School of Arts, Wuhan University, majoring in Ibsen’s plays. Email: 1020582405@qq.com; Frode Helland is professor of Scandinavian literature at the University of Oslo and Director of Centre for Ibsen Studies at the University of Oslo. Email:frode.helland@ibsen.uio.no
  • Supported by:
    National Social Science Fund Project “A Study on the Poetics of Ibsen’s Dramas” (13CWW023) sponsored by National Social Science Fund of China; Wuhan University Independent Research Project “How Did Ibsen Transcend Shakespeare’s Tragic Art” sponsored by Wuhan University

内容摘要: 2018年3月,海兰德教授应邀来武汉大学讲学,其间接受了汪余礼、王阅的专访,双方就易卜生与莎士比亚、易卜生与德国思想、易卜生与力量、易卜生与数字人文研究等一系列问题交换了看法。汪余礼认为,易卜生的力量跟他深广的文化根脉是密切相关的;作为一名“欧洲人”,易卜生的文化根脉深深扎进了古希腊戏剧、莎士比亚戏剧、北欧神话传说、基督教传统及德国思想中,而他又对当时欧洲的时代问题非常敏感,在剧作中进行了深入的探讨,引起了人们广泛的共鸣或争论,这使他既“根深”又“叶茂”,成了戏剧领域的一棵参天大树。海兰德认为,易卜生的力量确实跟他善于提出问题、引发争论有关;不过,易卜生之所以能够取得全球性成功的一个重要原因,在于其剧作既具有很高的艺术品位,又具有很高的商业价值。此外,在海兰德看来,“易卜生与德国思想”是易卜生研究领域一个特别值得深入探讨的话题,从中还可以挖出许多很有价值的思想宝藏;而数字人文与跨学科研究方法的运用,则将给易卜生研究领域带来持久的活力。

关键词: 易卜生, 德国思想, 莎士比亚, 数字人文研究, 跨学科研究

Abstract: In March 2018, Professor Frode Helland was invited to have a lecture tour at Wuhan University, where he was interviewed by Wang Yuli and Wang Yue. In this interview, Helland and Wang exchanged views on such issues as Ibsen and Shakespeare, Ibsen and German thoughts, Ibsen and Power, Ibsen and digital humanities research. Wang argues that Ibsen’s theatrical achievement, rooted in Western intellectual and cultural tradition ranging from ancient Greek tragedy, Shakespeare’s plays, the Nordic myth and legend to the Christian tradition and German thoughts, is largely contributed by his concerns about social issues of his time in Europe. In his response, Helland adds that Ibsen’s global popularity is also attributed to his artistic achievements and the commercial value of his works. Helland points out that the topics such as Ibsen and Shakespeare, and Ibsen and German thought are also worth exploring. Furthermore, he claims that the digital humanities and inter-disciplinary studies will bring new inspiration and energy to contemporary Ibsen studies.

Key words: Ibsen, German Thoughts, Shakespeare, Digital Humanities, Interdisciplinary Studies

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