外国文学研究 ›› 2020, Vol. 42 ›› Issue (5): 147-155.

• 文学叙事研究 • 上一篇    下一篇

山姆·谢泼德剧作《震惊状态》中的海湾战争叙事

郝志琴   

  • 出版日期:2020-10-25 发布日期:2021-02-26
  • 作者简介:郝志琴,天津大学外国语言与文学学院讲师,主要从事英美文学及西方戏剧研究。
  • 基金资助:
    国家社科基金艺术学重大项目“当代欧美戏剧理论前沿问题研究”(18ZD06); 天津市社科基金青年项目“山姆·谢泼德戏剧中的图像研究”(TJWW16-004Q); 天津大学自主创新基金项目“山姆·谢泼德戏剧作品研究”(2019XRG-0078)

The Gulf War Narrative in Sam Shepard's States of Shock

Hao Zhiqin   

  • Online:2020-10-25 Published:2021-02-26
  • About author:Hao Zhiqin is a lecturer at the School of Foreign Languages and Literatures, Tianjin University (Tianjin, 300350, China). Her research mainly focuses on English and American literature and Western drama. Email: haozhiqin2011@126.com
  • Supported by:
    Frontiers of the Contemporary European and American Theories of the Theater” (18ZD06) sponsored by China National Key Research Project in Arts Studies; “A Study of the Pictures in Sam Shepard's Dramatic Works” (TJWW16-004Q) sponsored by Tianjin Social Science Fund Project; “A Study on Sam Shepard's Dramatic Works” (2019XRG-0078) sponsored by Independent Innovation Fund of Tianjin University.

内容摘要: 美国当代著名剧作家山姆·谢泼德在其后期剧作《震惊状态》中重现海湾战争的电视报道,再现伤残和苦痛已被抹除的战争叙事,描摹普通民众对作为电视事件的海湾战争的漠然态度,同时关注老兵的战争叙事和渴望被“见”的诉求。剧作者将战场的多维细节、军人的生存境遇以及民众的情感反应杂糅在一起,揭示海湾战争叙事的另一维度:战争带给军人和民众的“震惊状态”。在《震惊状态》中,谢泼德构建了异于官方话语的战争叙事,对官方的海湾战争话语进行了质疑和批判。

关键词: 山姆·谢泼德, 《震惊状态》, 海湾战争, 图像, 电视

Abstract: In States of Shock, a play written in the late stage of his writing career, Sam Shepard, a well-known contemporary American playwright, re-presents the television coverage on the Gulf War and re-creates the war panorama that has erased the injuries and sufferings, depicting ordinary people's indifference toward the Gulf War as nothing more than a television event, and drawing attention to the war narratives by veterans and their anxious plea to be “seen”. By mixing the multi-dimensional details of the battlefield with soldiers' living conditions and people's emotional reactions, the playwright reveals another perspective on the Gulf War narrative: the war forced both soldiers and civilians into “states of shock”. In States of Shock, Shepard constructs another Gulf War narrative that differs from the official discourse, questioning and animadverting upon the official coverage of the Gulf War.

Key words: Sam Shepard, States of Shock, Gulf War, picture, television

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