西尔维亚·普拉斯前期诗歌中的“艺格敷词”

外国文学研究 ›› 2021, Vol. 43 ›› Issue (1): 129-140.

西尔维亚·普拉斯前期诗歌中的“艺格敷词”

魏磊

发布日期:2021-03-05
作者简介:魏磊,扬州大学博士生,淮阴师范学院外国语学院副教授,主要从事现当代美国文学、中西比较文学与比较诗学研究。

The “Ekphrasis” in Sylvia Plath's Early Poetry

Wei Lei

Published:2021-03-05
About author:Wei Lei is a PhD candidate at the College of Liberal Arts, Yangzhou University (Yangzhou 225127, China) and an associate professor at the School of Foreign Languages, Huaiyin Normal University (Huai'an 223000, China), specializing in modern and contemporary American literature, comparative literature, and comparative poetics. Email: wstones0311@163.com

摘要/Abstract

内容摘要： 相对于普拉斯诗集《爱丽尔》的研究，学界对其1960年之前的诗歌关注较少。事实上，虽然是普拉斯成长期的诗歌，但前期诗歌的跨界艺术性却不容忽视。尤其是作为画家诗人的普拉斯以“艺格敷词”为媒介实施的语图互仿、对视觉艺术的诗歌再生产及把作为空间艺术的绘画技巧融会到作为时间艺术的诗歌中的操演手段等，在前期诗歌中均有突出表现。在当下文学与图像的关系成为一门显学，文学描写的色彩化及视觉体验被充分强调的学术背景下，这些特征成为其前期诗歌艺术价值的明证。

关键词: 西尔维亚·普拉斯, 前期诗歌, 艺格敷词, 艺术价值

Abstract: As compared to the study of Plath's collection of poems, Ariel, her poems written before 1960 haven't received much attention from the academic circles. In fact, the cross-border artistry of her early poems should not be neglected even though they were written during her formative years. This is especially so when all the measures taken by Plath, a renowned painter poet, who used the “ekphrasis” as a medium in creating the simulation between language and image, reproducing poetry out of visual art, and integrating the technique of painting, a spatial art, into poetry, a temporal art, are splendidly displayed in her early poetry. Given the current scholarly interests to pursue the relationship between literature and images as a popular subject and underscore the colorization of literary description and visual experience, these characteristics may clearly prove the artistic value of her early poetry.

Key words: Plath, early poetry, ekphrasis, artistic value

魏磊. 西尔维亚·普拉斯前期诗歌中的“艺格敷词”[J]. 外国文学研究, 2021, 43(1): 129-140.

Wei Lei. The “Ekphrasis” in Sylvia Plath's Early Poetry[J]. Foreign Literature Studies, 2021, 43(1): 129-140.

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