Foreign Literature Studies ›› 2017, Vol. 39 ›› Issue (6): 19-28.

• “Event” and Literary Criticism • Previous Articles     Next Articles

“Event” and the Production of Literary Theory

Liu Yan, Wang Xiaolu   

  • Online:2017-12-25 Published:2022-06-15
  • About author:Liu Yan, Professor of English, Faculty of English Language and Culture, Research Center for Foreign Literatures and Cultures, Guangdong University of Foreign Studies (Guangzhou 510420, China). Her research interest lies in American literature, Sino-Foreign literary and cultural relations, and cultural criticism. Email: liuyan@gdufs.edu.cn; Wang Xiaolu, professor of literature, College of Literature and Journalism, College of Foreign Languages and Cultures, Sichuan University (Chengdu 610064, China). His research interest lies in literary criticism, cultural criticism, and overseas sinology. Email: wangxiaolu@scu.edu.cn
  • Supported by:
    “Key Issues in Cultural Criticism” (17YJA752017), sponsored by Humanities and Social Sciences Research Project of the Ministry of Education

Abstract: Two fundamental issues lie at the core of literary studies: “What is literature?” and “What is interpretation?” All literary theories aim to answer these questions in one way or another. Since the changes in literature as such and the shifts in critical perspectives are always related to the socio-cultural context of a particular historical period, events of various kinds become essential in the production of literary theory and literary criticism. In this light, revisiting literary criticism in light of “event” enables one to avoid viewing it as an isolated phenomenon but to observe its relationship with particular happenings in history, especially with regards to how “event” promotes and guides literary criticism. In the localization of Western critical theories in China, sufficient consideration of “event” also enlightens our understanding of literary reading and literary interpretation as produced against the particular social and cultural context.

Key words: event, literature, literary criticism, critical paradigms, production of literary theory

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