Folk Narration and State Presence: Research on Momotaro Story in Japan
Bi Xuefei
Online:2017-10-25
Published:2022-06-15
About author:Bi Xuefei, Ph.D. in Literature, is associate professor of School of Foreign Languages in Zhejiang Agriculture and Forestry University (Hangzhou 311300, China), mainly engaged in Japanese folk literature and folklore research. Email: 540163280@qq.com
[1] 高丙中:《民间的仪式与国家的在场》,《北京大学学报》1(2001):42—50。 [Gao Bingzhong. “Folk Rituals and the Presence of the State.” Peking University Journal 1 (2001): 42-50.] [2] 加原奈穂子:「昔話の主人公から国家の象徴へ―「桃太郎パラダイム」の形成―」,『東京芸術大学音楽学部紀要』36(2010):51—72。 [Kahara Nahoko. “From Folktale Hero to National Symbol: The Formation of Momotaro Paradigm in Japanese Modern Age.” Tokyo University of the Arts (TUA) Music Department Bulletin Paper 36 (2010): 51-72.] [3] 滑川道夫:『桃太郎の変容』。東京:東京書房,1981年。 [Namekawa Mitio. The Change of Momotaro. Tokyo: Tokyosyobou, 1981.] [4] 名村道子:「江戸時代の桃太郎」,『国文』19(1963):50—59。 [Namura Mitiko. “Momotaro in the Edo Period.” Japanese Literature 19 (1963): 50-59.] [5] 施爱东:《孟姜女故事的稳定性与自由度》,《民俗研究》4(2009):5—28。 [Shi Aidong. “The Stability and Variance of Meng Jiangnv’s Story.” Folklore Studies 4 (2009): 5-28.]