Foreign Literature Studies ›› 2022, Vol. 44 ›› Issue (1): 96-106.

• Studies on the Literature of the Nations along the Belt and Road • Previous Articles     Next Articles

Cultural Identity and Ethical Expression: The Image of Rakshasa King Ravana in Rāmayāna

Hou Chuanwen   

  • Online:2022-02-25 Published:2022-04-29
  • About author:Hou Chuanwen is a professor at the School of Literature, Journalism, and Communication, Qingdao University (Qingdao 266071, China), specializing in comparative literature and oriental literature.
  • Supported by:
    “Collation and Research on the Indian Buddhist Literature Materials” (2018VJX033) sponsored by National Social Science Fund of China

Abstract: The great Indian epic, R$\bar{a}$may$\bar{a}$na, represents the contradiction between the Aryan civilization and the non-Aryan civilization through the struggle between Rama and Ravana. The Raksasas led by Ravana are the representatives of the indigenous Indians conquered by the Aryans. The epic, R$\bar{a}$may$\bar{a}$na, written by the conquering Aryans, sets the conquered up as the designated opponent and demonizes image of Rakshasa king Ravana. In the main part of the epic created by Vālmīki, Ravana was treated with certain respect as a defeated hero. But in the First and Seventh Chapters that were supplemented subsequently, Ravana is presented as the evil King. The demonization of Ravana' s image is not only the result of portraying an opponent, but also the need of ethical expression. As a representative of good, Rama needs Ravana, a representative of evil, for a contrast, which not only sets up a role model, but also issues a warning, thus establishing what the epic intends to advocate, namely, the ethical system with “Dharma” as its core.

Key words: R$\bar{a}$may$\bar{a}$na, Ravana, designated opponent, cultural identity, ethical expression

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